This ravine, the middle one of the grove's three, is about a hundred feet wide. When I first began to venture the human touch in it, it afforded no open spot level enough to hold a camp-stool. From the lawn above to the river road below, the distance is three hundred and thirty feet, and …

Continue reading “The Amateur Garden”

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It is indeed their interest, who endeavour the subversion of governments, to discourage poets and historians; for the best which can happen to them, is to be forgotten. But such who, under kings, are the fathers of their country, and by a just and prudent ordering of affairs preserve it, have the same reason to …

Continue reading “The Marks Of Kingly Sovereignty”

During all the great periods of art able men have striven earnestly to attain a knowledge of character and beauty and to achieve their truthful representation. Even when the purpose of the artist has been to express some specific idea or to record some incident or historical event, the work has lived, not because of …

Continue reading “The Relation Of Art To Nature”

Aubé is another sculptor of acknowledged eminence who ranges himself with M. Rodin in his opposition to the Institute. His figures of "Bailly" and "Dante" are very fine, full of a most impressive dignity in the ensemble, and marked by the most vigorous kind of modelling. One may easily like his "Gambetta" less. But for …

Continue reading “Tintoretto”

It is a sure mark of narrowness and defective powers of perception to fail to discover the point of view even of what one disesteems. We talk of Poussin, of Louis Quatorze art—as of its revival under David and its continuance in Ingres—of, in general, modern classic art as if it were an art of …

Continue reading “Battle Of Constantine”